×
Desktops (Apple)

Apple Officially Splits iTunes For Windows Into Apple Music, TV, and Devices Apps (macrumors.com) 31

An anonymous reader quotes a report from MacRumors: The Apple Music, Apple TV, and Apple Devices apps that Apple has been testing for Windows machines have officially launched, ending a long preview period and bringing an end to the iTunes app on some computers. The Apple Music, Apple TV, and Apple Devices app are part of Apple's effort to split iTunes on PC into multiple platforms to mirror how these apps work on Macs. On Windows 10 and later, PC customers can download the three separate apps to manage devices and access Apple Music and Apple TV content. Microsoft first announced plans for Apple Music and Apple TV apps for the Microsoft Store back in October 2022, so the split from iTunes has been in the works for more than a year.

The Apple Music app gives Windows users a way to listen to and manage music from their iTunes library, including iTunes Store purchases, while the Apple TV app allows users to watch and manage movies and TV shows from iTunes. Both of the apps also give access to Apple's streaming services, Apple Music and Apple TV+. The Apple Devices app is designed to allow PC owners to update, back up, and restore and manage their iPhones and iPads, and sync content from their PCs. Using the standalone apps requires Windows 10 or later, and all three apps must be installed to transition away from iTunes. After the apps have been added to a PC, iTunes is used only to access podcasts and audiobooks. The iTunes library should not be deleted, because it is used by the Apple Music and Apple TV apps.

Movies

Disneyland's New 'Pixar Place' Hotel is Like Visiting the Studio (msn.com) 18

The Orange County Register reports: The new Pixar Place Hotel next door to Disneyland and Disney California Adventure is designed to look like you've walked onto the Pixar Animation Studios campus in Emeryville with concept drawings, character maquettes and final designs sprinkled throughout the hotel. "For those of you who are into the creative process, I think you'll be really happy. This hotel really celebrates that," Pixar Chief Creative Officer Pete Docter said during the opening ceremony for the hotel. "You get to see rough drawings, color studies and animation sketches as the animators were working. It really feels like you're walking into Pixar in a way when you step in here."

The multimillion-dollar transformation of the former Paradise Pier Hotel into the new Pixar Place Hotel debuted on Tuesday, January 30 after three years in the making at the Disneyland resort in Anaheim. The front lobby of the hotel is intended to feel like a gallery of curated artwork and custom creations inspired by Pixar's famed studio in Northern California. The rear lobby takes visitors through the animated filmmaking process from hand-drawn sketches to wire-frame character designs. Red, yellow and blue bursts of primary colors serve as bold accents at the front desk in contrast to the muted colors of modern hotel designs.

More details from the Los Angeles Times: The showcase piece of the lobby is a large mobile, situated above the Pixar lamp and ball, with abstracted, stained glass-like figures from "The Incredibles," "Wall-E," "Finding Nemo" and more. They are flanked by colored panels, which react to the music played in the area, an effect that is of course better seen in the evening.

"Pixar is a balance of sophistication and whimsy that really is core to their values," said Kirstin Makela, an art director at Walt Disney Imagineering, the company's secretive arm devoted to theme park experiences. "They're a studio that's been at the cutting edge of what they do. They take it very seriously that their characters are represented in that high esteem that they deserve because they are works of art. "So it really is about creating a space that feels like a living art gallery that allows for the work to be elevated and feel celebrated, and allows for the work to get that dynamic pop of color and energy," Makela continued...

[I]ncluded in the rooms is the hardbound "The Art of Pixar" book, and various depictions of the Pixar lamp and ball, from an actual lamp on the desk to traces of the ball and the lamp in the bedding, carpeting and decorative pillows...

In a sampling of room rates throughout the year, I found nothing lower than $405 per night for a standard room, and about $100 more for high-traffic holiday months.

Media

Joe Rogan Gets New Spotify Deal Worth Up To $250 Million (wsj.com) 134

Spotify has reached a new deal with star podcaster Joe Rogan that will allow his hit show to be distributed broadly. From a report: Rogan's fresh deal, estimated to be worth as much as $250 million over its multiyear term, involves an upfront minimum guarantee, plus a revenue sharing agreement based on ad sales. Under the new licensing agreement, Spotify will sell ads for and distribute "The Joe Rogan Experience" across several podcast platforms, including in a video format on YouTube, the company said Friday. Under his previous deal, the show was exclusive to Spotify. The new deal is emblematic of shifting economics in podcasting, which has matured in both audience reach and advertising spending since Rogan's last deal. Spotify is working to revise the terms of its deals with top talent so that shows are distributed on several platforms to maximize their audience and ad sales, rather than requiring exclusivity.
Youtube

YouTube Says It Has More Than 100 Million Premium and Music Subscribers (variety.com) 48

YouTube has announced it has surpassed 100 million YouTube Music and YouTube Premium subscribers globally. Variety reports: The 100 million figure includes uses who are on free trials, according to YouTube. The company didn't break down how many are on YouTube Music versus YouTube Premium, the subscription service for ad-free viewing, background listening, offline video downloads and full access to YouTube Music. In November 2022, the company said YouTube Music and YouTube Premium topped 80 million paying subscribers combined.

The announcement comes after Alphabet, in reporting fourth-quarter 2023 earnings, boasted that YouTube and Google subscription services generated more than $15 billion in revenue last year. That includes YouTube Premium and YouTube Music, as well as YouTube TV and Google One cloud storage.

Music

Remembering The 1970s-Era Technology of Devo (msn.com) 43

It's the 50th anniversary of Devo, the geek-friendly, dystopia-themed band that combined synthesizers with showmanship, first founded in 1973.

As a new documentary about the group celebrates its Sundance world premiere, the Los Angeles Times explores how the band made innovative use of the technology of its time: With their yellow radiation suits, red "energy dome" hats and manic energy, part playful and part angry, the band Devo combined the futuristic glamour of new wave with atomic-age anxieties and post-'60s disillusionment.... Uniquely, the band developed a fully formed, intricate internal philosophy and mythology built around the idea that humans were "de-evolving" by becoming dumber and less sophisticated. The mascot of the band, known as "Booji Boy," was an infantile urchin in a rubber mask...

Was there an idea to document the band right from the very start? It's incredible that there's footage of the very first show in 1973.

GERALD CASALE:
We were that delusional, yes. And we were trying to document ourselves when nobody was interested in doing that. And when it was quite expensive and clumsy to do it. You're dealing with Sony U-matic reel-to-reel recorders and big heavy cameras and a scarcity of equipment and very little interest. I mean, my God, if a Devo of now existed like we did, then clearly, there'd be a million cellphone videos.

MARK MOTHERSBAUGH: [...] Bob was the first of us to direct a video, back when he was in high school. Bob and me, our dad, starting when we were like babies, like 1 year old, he'd bring out an 8-millimeter camera that didn't have sound, and so he shot hundreds and hundreds of these films through the years, just family stuff. So we always kind of liked that. And Jerry was doing films at Kent State with Chuck Statler before Chuck said, "Hey, let's do a film with a couple of the songs in it." So we were always audio-visual. We were always thinking in both worlds...

[DOCUMENTARY DIRECTOR] CHRIS SMITH: One of my favorite details in looking through the old footage is, there's an early show that was recorded in black-and-white, and they have such limited materials to work with, yet they do this thing where the light goes on and off on both sides of the stage. And to me it was so emblematic of where they were going because they were making something that you hadn't seen before that was super creative and visually distinctive and interesting out of something we all had to work with... You could see in that footage, the inventiveness that wasn't a result of means — it was something that was just created out of what they had to work with at that time.

MARK MOTHERSBAUGH: [...] Sonically, a lot of what we did was just related to the fact that Bob Mothersbaugh bought a four-track TEAC. So we had this machine that could record four little skinny channels on a quarter-inch tape. It was an amateur home-tape machine, but it made us think about our parts, because we thought, well, OK, you're only going to get to do the bass on one track, and the guitar on one track and the drums on one track and the synth. You're not going to do all these overdubs. We had to think about it, what was an essential part. So we'd work on the song till you could play it just in one pass. Everything essential. I think it really made the early stuff sound really strong because of that.

You really get a sense of that on their 1978 song "Mongoloid." But the 2023 documentary's director doesn't see his film as an ending bookmark for the band. "They're still touring. They're all still actively creatively pursuing many different things, as I hope that you would expect after seeing the film."

And speaking specifically about the documentary. Mark Mothersbaugh says Booji Boy "describes it as a halfway point to the year of 2073, where we'll celebrate the 100-year anniversary." Booji Boy also says the next 50 years will be more about action. "And it'll be about positive mutation. Mutate, don't stagnate."
Music

Now Musicians' Union Threatens Possible Strike Over AI, Streaming Media (cnn.com) 64

"After a year in which both actors and writers hit the picket lines, another Hollywood strike may be on the horizon," reports CNN: The American Federation of Musicians (AFM), a union representing musicians across the entertainment industry, will begin negotiations Monday on a new contract with the Alliance of Motion Picture and Television Producers (AMPTP). The union said it is seeking a deal to better reflect the current state of streaming media. The AFM is also seeking AI protection, increased wages, health care improvements, improved working conditions and residual payments for streaming content. According to the AFM, musicians who record on soundtracks make 75% less on streaming content due to less residual income. "The entertainment industry has fundamentally shifted," the union said in a news release. But musicians "are not being compensated accordingly for streaming media." AFM's president and chief negotiator Tino Gagliardi told CNN the union "is going to be prepared to do whatever it needs to get what we have to have, in order to make the lives of musicians better..."

The AFM says it has roughly 70,000 members in the United States and Canada. Members include instrumental musicians working in orchestras, bands, clubs and theater who create music for film, television, commercials and other mediums.

EU

Music Streaming Platforms Must Pay Artists More, Says EU (theverge.com) 58

The EU has proposed sweeping changes within the music streaming industry to promote smaller artists and make sure underpaid performers are being fairly compensated. From a report: A resolution to address concerns regarding inadequate streaming royalties for artists and biased recommendation algorithms was adopted by members of the European Parliament (MEPs) on Wednesday, highlighting that no existing EU rules currently apply to music streaming services, despite being the most popular way to consume audio.

The proposition was made to ensure European musical works are accessible and avoid being overshadowed by the "overwhelming amount" of content being continually added to streaming platforms like Spotify. MEPs also called for outdated "pre-digital" royalty rates to be revised, noting that some schemes force performers to accept little to no revenue in exchange for greater exposure. Imposing quotas for European musical works is being considered to help promote artists in the EU.

Apple

Apple's App Store Rule Changes Draw Sharp Rebuke From Critics (daringfireball.net) 55

Apple has updated its long-standing App Store guidelines, giving developers the option to let users make in-app purchases for iOS apps outside of its App Store. But the changes still haven't won over one of the company's longtime critics. From a report: Under the new rules, app developers can provide customers with links to third-party purchase options for their apps, but they must still pay Apple fees of either 12% or 27%. Spotify, one of Apple's biggest critics, isn't a fan of the changes. In a statement, the music streaming service slammed the new rules. "Once again, Apple has demonstrated that they will stop at nothing to protect the profits they exact on the backs of developers and consumers under their app store monopoly," the company said in a statement. "Their latest move in the US -- imposing a 27% fee for transactions made outside of an app on a developer's website -- is outrageous and flies in the face of the court's efforts to enable greater competition and user choice." Tech columnist John Gruber, writing at DaringFireball: Maybe the cynics are right! Let's just concede that they are, and that Apple will only make decisions here that benefit its bottom line. My argument remains that Apple should not be pursuing this plan for complying with the anti-steering injunction by collecting commissions from web sales that initiate in-app. Whatever revenue Apple would lose to non-commissioned web sales (for non-games) is not worth the hit they are taking to the company's brand and reputationâ--âthis move reeks of greed and avariceâ--ânor the increased ire and scrutiny of regulators and legislators on the "anti-Big-Tech" hunt.

Apple should have been looking for ways to lessen regulatory and legislative pressure over the past few years, and in today's climate that's more true than ever. But instead, their stance has seemingly been "Bring it on." Confrontational, not conciliatory, conceding not an inch. Rather than take a sure win with most of what they could want, Apple is seemingly hell-bent on trying to keep everything. To win in chess all you need is to capture your opponent's king. Apple seemingly wants to capture every last piece on the boardâ--âeven while playing in a tournament where the referees (regulators) are known to look askance at blatant poor sportsmanship (greed).

Apple's calculus should be to balance its natural desire to book large amounts of revenue from the App Store with policies that to some degree placate, rather than antagonize, regulators and legislators. No matter what the sport, no matter what the letter of the rulebook says, it's never a good idea to piss off the refs.

Music

Harmonix Is Ending Rock Band DLC Releases After 16 Years, 2,800 Songs (arstechnica.com) 15

Since launching in 2007, Harmonix's Rock Band has released over 2,800 DLC songs to keep its rhythm game fresh. Now, Harmonix has announced the last of the series' releases will arrive on January 25, "marking the end of a nearly 16-year era in music gaming history," reports Ars Technica. From the report: Previously purchased DLC songs will still be playable in Rock Band 4, Harmonix's Daniel Sussman writes in an announcement post. Rock Band 4 live services, including online play, will also continue as normal, after online game modes for earlier Rock Band games were finally shut down in late 2022. "Taking a longer look back, I see the Rock Band DLC catalog as a huge achievement in persistence and commitment," Sussman writes. "Over the years we've cleared, authored and released nearly 3,000 songs as DLC and well over 3,000 if you include all the game soundtracks. That's wild." [...]

While official support for Rock Band DLC is finally ending, the community behind Clone Hero just recently hit an official Version 1.0 release for their PC-based rhythm game that's compatible with many guitars, drums, keyboards, gamepads, and adapters used in Rock Band and other console rhythm games (microphones excluded). While that game doesn't come with anything like Rock Band's list of officially licensed song content, it's not hard to find a bevy of downloadable, fan-made custom Clone Hero tracks with a little bit of searching.

Since shortly after its acquisition by Epic in 2021, Harmonix has been working on "Fortnite Festival," the incredibly Rock Band-esque mini-game embedded in Epic's Fortnite "metaverse." Sussman writes that a "rotating selection" of free-to-play songs will continue to cycle through that game mode, and that support for Rock Band 4 instruments will be coming to Fortnite in the future as well (peripheral-maker PDP looks like it will be getting in on the Fortnite guitar act as well). As for the last few weeks of Rock Band DLC offerings, Sussman writes that Harmonix is planning "some tear jerkers that sum up our feelings about this moment."

Music

Ken Fritz Built a $1 Million Stereo. The Real Cost Was Unfathomable. (washingtonpost.com) 222

Ken Fritz turned his home into an audiophile's dream -- the world's greatest hi-fi. What would it mean in the end? From a report: Ken Fritz was years into his quest to build the world's greatest stereo when he realized it would take more than just gear. It would take more than the Krell amplifiers and the Ampex reel-to-reel. More than the trio of 10-foot speakers he envisioned crafting by hand. And it would take more than what would come to be the crown jewel of his entire system: the $50,000 custom record player, his "Frankentable," nestled in a 1,500-pound base designed to thwart any needle-jarring vibrations and equipped with three different tone arms, each calibrated to coax a different sound from the same slab of vinyl. "If I play jazz, maybe that cartridge might bloom a little more than the other two," Fritz explained to me. "On classical, maybe this one."

No, building the world's greatest stereo would mean transforming the very space that surrounded it -- and the lives of the people who dwelt there. The faded photos tell the story of how the Fritz family helped him turn the living room of their modest split-level ranch on Hybla Road in Richmond's North Chesterfield neighborhood into something of a concert hall -- an environment precisely engineered for the one-of-a-kind acoustic majesty he craved. In one snapshot, his three daughters hold up new siding for their expanding home. In another, his two boys pose next to the massive speaker shells. There's the man of the house himself, a compact guy with slicked-back hair and a thin goatee, on the floor making adjustments to the system. He later estimated he spent $1 million on his mission, a number that did not begin to reflect the wear and tear on the household, the hidden costs of his children's unpaid labor.

GUI

Linux Mint 21.3: Its First Official Release with Wayland Support (omgubuntu.co.uk) 71

Linux Mint 21.3 is now available to download, reports the blog OMG Obuntu.

It's the first version to offer Wayland support in its Cinnamon desktop: Following a successful bout of bug-busting in last month's beta release, Mint devs have gone ahead and rubber-stamped a stable release. Thus, you can reasonably expect to not encounter any major issues when installing or using it... [I]t's based on Ubuntu 22.04 LTS and continues to use the Linux 5.15 kernel by default, but newer kernels are available to install within the OS...

In my own testing I find Cinnamon's Wayland support to be well-rounded. It's not perfect but I didn't hit any major snafus that prevented me from working (though admittedly I did only attempt 'basic' tasks like web browsing, playing music, and adding applets). However, Cinnamon's Wayland support is in an early state, is not enabled by default, and Linux Mint devs expect it won't be good enough for everyone until the 23.x series (due 2026) at the earliest. Still, try it out yourself and see if it works for you. Select the 'Cinnamon on Wayland (Experimental)' session from the login screen session selector, and then login as normal...

Additionally, the latest version of Mozilla Firefox is pre-installed (as a deb, not a Snap)

Among the new features are a whole new category of desktop add-ons — "Actions" — which upgrade the right-clicking context menu. (So for .iso files there's two new choices: "Verify" or "Make bootable USB stick".)

The article says there's also "a raft of smaller refinements," plus "a bevvy of buffs and embellishments" for Linux Mint's homegrown apps.

Any Linux Mint users reading Slashdot? Share your thoughts or experiences in the comments...
IT

California Tech Company's 'Return-to-Office' Video Mocked as Bizarre, Cringe-Worthy (sfgate.com) 240

With subsidiaries like WebMD and CarsDirect, the digital media company "Internet Brands" has over 5,000 employees — and 20 offices in expensive locations like Seattle, San Francisco, Chicago, and New York City.

Their solution? Create a cheery corporate video on the company's Vimeo account announcing a new (non-negotiable) hybrid return-to-office policy.

SFGate.com calls it "the return-to-office fight's most bizarre corporate messaging yet." Executives from Internet Brands' internet brands are so wide-eyed and declarative, they appear to be at their breaking point in wanting more workers at the office. "Too big of a group hasn't returned," CEO Bob Brisco complains, near the video's opening. The vehicle to deliver that message has it all: rapid jump cuts, odd sound mixing and executives clearly reading their lines from teleprompters. There's plainly faked office b-roll and the obvious use of green screens. There's even some enthusiastic (and awkward) sashaying to the New Orleans classic "Iko Iko" — one wonders if participating employees received compensation.
Interestingly, "Iko Iko" is a song about a collision between two rival tribes, which opens with a threat to "set your flag on fire." But subtitles on the video translate the song's Creole patois word "Jockamo" into the corporate-positive phrase "we mean business." It's like the executives started their brainstorming session by watching 12 music videos, an iMovie editing tutorial and the entirety of "The Office" Season 1. Mixed in with the corporate b-roll of a copy machine spitting out paper and a too-loud video of a hand crushing a Dr. Pepper can, the company's executives sketch out the vibe of a return-to-office plan — though no specifics.
The video ends with CEO Bob Brisco thanking the team, before gently adding "I want to leave you with this. We aren't asking or negotiating at this point. We're informing, of how we need to work together going forward....

"Thank you, in advance, for your help."

The video has since started going viral on Reddit's "Work Reform" subreddit, with a headline calling it a "bizarre and cringe video mocking working from home and threatening employees who continue to avoid the office." (This take drew 1,300 upvotes, and 241 comments, like " 'By the way this is a threat' is a nice way to end it.")

Footage of at least some of the executives was clearly just spliced in front of still photos showing what offices look like. But besides the wooden delivery, what really struck me is how generic all the words were:
  • "Working together face-to-face helps us create ideas, faster, and better."
  • "We're able to collaborate, and help each other to be better leaders."
  • "We're better when we're together, and we need to be our best — to crush our competition." [Footage of the word "competition" being erased from a whiteboard. And then, of someone crushing a Dr. Pepper can...]

Music

'Artificial Creativity' Music Software For Commodore Amiga Unearthed (breakintochat.com) 39

Kirkman14 writes: Josh Renaud of breakintochat.com has recovered two early examples of "artificial creativity" software for the Commodore Amiga that generate new music by recombining patterns extracted from existing music. Developed by cartoonist Ya'akov Kirschen and his Israeli software firm LKP Ltd. in 1986-87, "Computer Composer" demo and "Magic Harp" baroque were early attempts at AI-like autonomous music generation.

Kirschen's technology was used to help score a BBC TV documentary in 1988, and was covered by the New York Times and other major newspapers. None of the Amiga software was ever sold, though the technology was ported to PC and published under the name "The Music Creator" in 1989.

Handhelds

Startup Debuts Pocket AI Companion, Sells Out 10,000 In One Day (theverge.com) 22

A startup called Rabbit sold out of its first batch of pocket AI companions a day after it was debuted at CES 2024. The company announced on X that it sold 10,000 units in just a day. "When we started building r1, we said internally that we'd be happy if we sold 500 devices on launch day," Rabbit writes. "In 24 hours, we already beat that by 20x!" The Verge reports: Rabbit introduced the R1 during CES on Tuesday, which comes with a small 2.88-inch touchscreen that runs on the company's own Rabbit OS. It uses a "Large Action Model" that works as a "sort of universal controller for apps," according to my colleague David Pierce, who got to try out the device during the showcase. This allows it to do things like play music, buy groceries, and send messages through a single interface without having to use your phone. It also lets you train the device how to interact with a certain app. A second batch is available for preorder from Rabbit's website with an expected delivery date between April and May 2024. The first batch of products are expected to start shipping in March.
Music

Music Streams Hit 4 Trillion in 2023 (apnews.com) 21

The global music industry surpassed 4 trillion streams in 2023, a new single-year record, Luminate's 2023 Year-End Report found. Global streams were also up 34% from last year, reflective of an increasingly international music marketplace. From a report: Stateside, three genres saw the biggest growth in 2023: country (23.7%), Latin (which encompasses all Latin musical genres, up 24.1%) and world (a catchall that includes J-pop, K-pop and Afrobeats, up 26.2%.) It seems that more Americans are listening to non-English music. By the end of 2023, Luminate found that Spanish-language music's share of the top 10,000 songs streamed in the U.S. grew 3.8%, and English-language music's share dropped 3.8%.
Piracy

Piracy Is Surging Again Because Streaming Execs Ignored The Lessons Of The Past (techdirt.com) 259

Karl Bode, reporting for TechDirt: Back in 2019 we noted how the streaming sector risked driving consumers back to piracy if they didn't heed the lessons of the past. We explored how the rush to raise rates, nickel-and-dime users, implement arbitrary restrictions, and force users toward hunting and pecking their way through a confusing platter of exclusives and availability windows risked driving befuddled users back to piracy. And lo and behold, that's exactly what's happening.

After several decades of kicking and screaming, studio and music execs somewhere around 2010 finally realized they needed to offer users affordable access to easy-to-use online content resources. They finally realized they needed to compete with piracy and focus on consumer satisfaction whether they liked the concept or not. And unsurprisingly, once they learned that lesson piracy began to dramatically decrease. That was until 2021, when piracy rates began to climb slowly upward again in the U.S. and EU. As the Daily Beast notes, users have grown increasingly frustrated at having to hunt and peck through a universe of different, often terrible streaming services just to find a single film or television program.

As every last broadcaster, cable company, broadband provider, and tech company got into streaming they began to lock down "must watch" content behind an ever-shifting number of exclusivity silos, across an ocean of sometimes substandard "me too" services. Initially competition worked, but as the market saturated and the most powerful companies started to silo content, those benefits have been muted. Now users have to hunt and peck between Disney+, Netflix, Starz, Max, Apple+, Acorn, Paramount+, Hulu, Peacock, Amazon Prime, and countless other services in the hopes that a service has the rights to a particular film or program. When you already pay for five different services, you're not keen to sign up to fucking Starz just to watch a single 90s film. And availability is constantly shifting, confusing things further.

Ubuntu

ZDNet Calls Rhino Linux 'New Coolest Linux Distro' (zdnet.com) 52

If you're starting the new year with a new Linux distro, ZDNet just ran an enthusiastic profile of Rhino Linux, calling it "beautiful" with "one of the more useful command-line package managers on the market." Rhino uses a modern take on the highly efficient and customizable Xfce desktop (dubbed "Unicorn") to help make the interface immediately familiar to anyone who logs in. You'll find a dock on the left edge of the screen that contains launchers for common applications, access to the Application Grid (where you can find all of your installed software), and a handy Search Bar (Ulauncher) that allows you to quickly search for and launch any installed app (or even the app settings) you need...

Thanks to myriad configuration options, Xfce can be a bit daunting. At the same time, the array of settings makes Xfce highly customizable, which is exactly what the Rhino developers did when they designed this desktop. For those who want a desktop that makes short work of accessing files, the Rhino developers have added a really nifty tool to the top bar. You'll find a listing of some folders you have in your Home directory (Files, Documents, Music, Pictures, Video). If you click on one of those entries, you'll see a list of the most recently accessed files within the directory. Click on the file you want to open with the default, associated application...

Rhino opts for the Pacstall package manager over the traditional apt-get. That's not to say apt-get isn't on the system — it is. But with Rhino Linux, there's a much easier path to getting the software you want installed... [W]hen you first run the installed OS, you are greeted with a window that allows you to select what package managers you want to use. You can select from Snap, Flatpak, and AppImages (or all three). Next, the developers added a handy tool (rhino-pkg) that makes installing from the command line very simple.

When the distro launched in August, 9to5Linux described it as "a unique distribution for Ubuntu fans who wanted a rolling-release system where they install once and receive updates forever." The theming looks gorgeous and it's provided by the Elementary Xfce Darker icon theme, Xubuntu's Greybird GTK theme, and Ubuntu's Yaru Dark WM theme. It also comes with some cool features, such as a dedicated and full-screen desktop switcher provided by Xfdashboard...
Music

Ask Slashdot: Does Anyone Still Use Ogg Vorbis Format? (slashdot.org) 148

23 years ago, Slashdot interviewed Chris Montgomery about his team's new Ogg Vorbis audio format.

But Slashdot reader joshuark admits when he first heard the name, it reminded him of the mushroom underworld in The Secret World of Og. I've downloaded videos from the Internet Archive, and one format is the OGG or Ogg Vorbis player format. I just was wondering with other formats, is Ogg still used anymore after approximately 20-years?

I'm not commenting on good/bad/whatever about the format, just is it still in use, relevant anymore?

The nonprofit Xiph.Org Foundation (which develops Orbis Vogg) started work in 2007 on the high-quality/low-delay format Opus, which their FAQ argues "theoretically" makes other lossy codecs obsolete. "From technical point of view (loss, delay, bitrates...) it can replace both Vorbis and Speex, and the common proprietary codecs too."

But elsewhere Xiph.org points out that "The bitstream format for Vorbis I was frozen Monday, May 8th 2000. All bitstreams encoded since will remain compatible with all future releases of Vorbis." So how is that playing out in 2024? Share your own thoughts in the comments.

Does anyone still use Ogg Vorbis format?
AI

An AI-powered Holographic Elvis Concert is Coming to Las Vegas (and the UK) (miamiherald.com) 39

Elvis Presley "will be stepping into his blue suede shoes once again..." according to an article in TheStreet, "thanks to the power of artificial intelligence." The legendary singer from Tupelo, Mississippi, is set to thrill audiences in "Elvis Evolution," an "immersive concert experience" that uses AI and holographic projection. The show will debut in London in November. But if you can't make it to England, that's all right, mama, that's all right for you, because additional shows are slated for Berlin, Tokyo and Las Vegas, where Presley had a seven-year residency from 1969 to 1976.

"Man, I really like Vegas," he once reportedly said. The British immersive entertainment company Layered Reality partnered with Authentic Brands Group, which owns the rights to Elvis' image, to create the event.

"The show peaks with a concert experience that will recreate the seismic impact of seeing Elvis live for a whole new generation of fans, blurring the lines between reality and fantasy," Layered Reality said on its website. "A life-sized digital Elvis will share his most iconic songs and moves for the very first time on a UK stage." The company previously made immersive experiences based on the Gunpowder Plot of 1605 and "The War of The Worlds."

Music

Spotify's Editorial Playlists Are Losing Influence Amid AI Expansion (bloomberg.com) 14

Once a dominant force in music discovery, Spotify's famed playlists like RapCaviar, which significantly influenced mainstream music and artist visibility, are losing ground. As the music industry shifts towards algorithmic suggestions and TikTok emerges as a major music promoter, Spotify's strategy evolves with more automated music discovery and less emphasis on human-curated playlists, signaling a potential end to the era where a few key playlists could make a star overnight. Bloomberg reports: Enter TikTok. In the late 2010s, as the algorithmic controlled, short-form video app emerged as a growing force in music promotion, Spotify took notice. On an earnings call in 2020, Spotify Chief Executive Officer Daniel Ek noted that users were increasingly opting for algorithmic suggestions and that Spotify would be leaning into the trend. "As we're getting better and better at personalization, we're serving better and better content and more and more of our users are choosing that," he said. From there, Spotify began implementing a number of changes that over time significantly altered the fundamental dynamics of how playlists get composed. Among other things, the company had already introduced a standardized pitching form that all artists and managers must use to submit tracks for playlist consideration. One former employee says the tool was created to foster a more merit-based system with a greater emphasis on data -- and less focus on the taste of individual curators. The goal, in part, was to give independent and smaller artists without the resources to personally court key playlist editors a better chance at placements. It was also a way to better protect the public-facing editors who in the early days were sometimes subjected to harassment from people disgruntled over their musical choices.

As the automated submission system took hold, the editors gradually grew more anonymous and less associated with particular playlists. In a handbook for the editorial team, Spotify instructed curators not to claim ownership of any one playlist. At the same time, Spotify began introducing multiple splashy features meant to encourage algorithm-driven listening, including an AI DJ and Daylist, two features that constantly change to fit listeners' habits and interests. (Spotify says "human expertise" guides the AI DJ.) Last year, Spotify laid off members of the teams involved in making playlists as part of its various cuts. And over time, the shift in emphasis has had consequences outside the company as well. These days, the same music industry sources who in the late 2010s learned to obsess over what was included and excluded from key Spotify playlists have started noticing something else -- it no longer seems to matter as much. Employees at different major labels say they've seen streams coming from RapCaviar drop anywhere from 30% to 50%.

The trend towards automated music discovery at Spotify shows no sign of slowing down. One internal presentation titled "Recapturing the Zeitgeist" encourages editorial curators to better utilize data. According to the people who have seen the plan, in addition to putting together a playlist, editorial curators would tag songs to help the algorithm accurately place them on relevant playlists that are automatically personalized for individual subscribers. The company has also shifted some human-curated playlists to personalized versions, including selections with seven-figure followings, like Housewerk and Indie Pop. These days, Spotify is also promoting something called Discovery Mode, wherein labels and artist teams can submit songs for additional algorithm pushes in exchange for a lower royalty rate. These tracks can only surface on personalized listening sessions, a former employee said, meaning Spotify would have a financial incentive to push people to them over editorially curated playlists. (For now, Discovery Mode songs only surface in radio or autoplay listening sessions.)
The shift toward algorithmic distribution isn't necessarily a bad thing, says Dan Smith, US general manager at Armada, an independent dance label. "The way fans discovered new music was radio back in the day, then Spotify editorial playlists, then there were a few years where people only discovered new music through TikTok," Brad said. "All those things still work ... we're all just trying different ways to make sure songs get to the right people."

Slashdot Top Deals