Piracy was traditionally seen as something that predominantly young males were interested in. This is a largely outdated representation of reality, as girls and women began to catch up a long time ago. In some countries, including Indonesia, more women pirate music, movies, and TV-shows than their male counterparts. TorrentFreak reports: [N]ew findings published by researchers from Northumbria University Newcastle, which include gender, are worth highlighting. The survey data, looking at piracy trends in Thailand and Indonesia, was released by Marketing professor Dr. Xuemei Bian and Ms. Humaira Farid. The results were presented to WIPO's Advisory Committee on Enforcement recently and the associated presentation (PDF) was published online. Through an online survey and in-person interviews, the research aims to map consumer attitudes and behaviors in Indonesia and Thailand, particularly in connection with online copyright infringement.

One of the overall conclusions is that piracy remains a common activity in both Asian countries. Pirates are present in all age groups but and music, movies en TV-shows tend to be in highest demand and younger people. Those under 40, are more likely to pirate than their older counterparts. These findings are not out of the ordinary and the same trends are visible in other countries too. Interestingly, however, some notable differences between the two countries appear when gender is added to the mix. The tables below show that women are more likely to pirate than men in Indonesia. This is true for all content categories, except for software, where men are slightly in the lead. In Thailand, however, men are more likely to pirate across all categories. The researchers do not attempt to explain these differences. However, they show once again that 'dated' gender stereotypes don't always match with reality. And when they have little explanatory value, one can question whether gender is even relevant in a piracy context.

Looking at other differences between Thai and Indonesian consumers there are some other notable findings. For example, in Indonesia, 64% of the respondents say they're aware of the availability of pirated movies and TV-shows on YouTube, compared to 'just' 32% in Thailand. Indonesian consumers are also more familiar with music piracy sites and pirate much more frequently than Thai consumers, as the table below shows. Finally, the researchers also looked at various attitudes toward piracy. This shows that Thai pirates would be most likely to stop if legal services were more convenient, while Indonesian pirates see cheaper legal services as the largest discouraging factor.

The EU Commission on Monday fined Apple about $2 billion for stifling competition from rival music streaming services. In a blog post, Spotify writes: Apple's rules muzzled Spotify and other music streaming services from sharing with our users directly in our app about various benefits -- denying us the ability to communicate with them about how to upgrade and the price of subscriptions, promotions, discounts, or numerous other perks. Of course, Apple Music, a competitor to these apps, is not barred from the same behaviour. By requiring Apple to stop its illegal conduct in the EU, the EC is putting consumers first. It is a basic concept of free markets -- customers should know what options they have, and customers, not Apple, should decide what to buy, and where, when and how.

While we appreciate the EC addressing this important case, we also know that the details matter. Apple has routinely defied laws and court decisions in other markets. So we're looking forward to the next steps that will hopefully clearly and conclusively address Apple's long-standing unfair practices.

From the beginning, the foundational belief of the internet is that it should be a fair and open ecosystem. That belief has fueled growth, innovation and discovery around the world. Today the leading way people access the internet is via their mobile phones. So why should the same principles not apply? And while we are pleased that this case delivers some justice, it does not solve Apple's bad behaviour towards developers beyond music streaming in other markets around the world. Our work will not be done until we succeed in securing a truly fair digital marketplace everywhere and our commitment to helping to make this a reality remains unwavering. Further reading: Apple's response.

An anonymous Slashdot reader shared this report from The Washington Post: A YouTube contractor was addressing the Austin City Council on Thursday, calling on them to urge Google to negotiate with his union, when a colleague interrupted him with jaw-dropping news: His 43-person team of contractors had all been laid off...

The YouTube workers, who work for Google and Cognizant, unanimously voted to unionize under the Alphabet Workers Union-CWA in April 2023. Since then, the workers say that Google has refused to bargain with them. Thursday's layoff signifies continued tensions between Google and its workers, some of whom in 2021 formed a union...

Workers had about 20 minutes to gather their belongings and leave the premises before they were considered trespassing.
Video footage of the moment is embedded at the top of the article. "I was speechless, shocked," said the contractor who'd been speaking. He told the Washington Post "I didn't know what to do. But angered, that was the main feeling." The council meeting was streaming live online and has since spread on social media. The contractors view the layoff as retaliation for unionizing, but Google and information technology subcontractor Cognizant said it was the normal end of a business contract.

The ability for layoffs to spread over social media highlights how the painful experience of a job loss is frequently being made public, from employees sharing recordings of Zoom meetings to posting about their unemployment. The increasing tension between YouTube's contractors and Google comes as massive layoffs continue to hit the tech industry — leaving workers uneasy and companies emboldened. Google already has had rounds of cuts the past two years.

Google has been in a long-running battle with many of its contractors as they seek the perks and high pay that full-time Google workers are accustomed to. The company has tens of thousands of contractors doing everything from food service to sales to writing code... Google maintains that Cognizant is responsible for the contractors' employment and working conditions, and therefore isn't responsible for bargaining with them. Cognizant said it is offering the workers seven weeks of paid time to explore other roles at the company and use its training resources.

Last year, the National Labor Relations Board ruled that Cognizant and Google are joint employers of the contractors. In January, the NLRB sent a cease-and-desist letter to both employers for failing to bargain with the union. Since then the issue of joint employment, which would ultimately determine which company is responsible for bargaining, has landed in an appeals court and has yet to be ruled on.
"Workers say they don't have sick pay, receive minimal benefits and are paid as little as $19 an hour," according to the article, "forcing some to work multiple jobs to make ends meet." Sam Regan, a data analyst contractor for YouTube Music, told the Washington Post that he was one of the last workers to leave the meeting where the layoffs were announced.

"Upon leaving, he heard one of the security guards call the non-emergency police line to report trespassers."

Adobe has announced a new prototype tool called Project Music GenAI Control that allows users to create original music by inputting text prompts, then edit the audio without switching to separate software. Users can specify musical styles in their prompts to produce tracks like "happy dance" or "sad jazz."

Adobe says integrated editing controls let users tweak patterns, tempo, intensity and structure of the AI-generated music. Sections can be remixed and looped as backing tracks or background music. The tool can also adjust audio "based on a reference melody" and extend clip length for set animations or podcasts. Details on editing interface and upload options for custom reference tracks are unclear.

Maker Roni Bandini developed a Raspberry Pi project to address his neighbors' loud reggaeton music by creating an AI-driven system that distorts audio on nearby Bluetooth speakers when reggaeton is detected. Tom's Hardware reports: Powering this Bluetooth jamming device is a Raspberry Pi 3 B+. It's connected to a DFRobot OLED display panel, which has a resolution of 128 x 32px. Audio is observed using a USB microphone, while a push button handles when the system will perform a check to listen for any potential reggaeton. According to Bandini, the Pi is running Raspberry Pi OS. The AI system driving the machine learning aspects of the design is Edge Impulse. With this, Bandini was able to train the Pi to listen for music and more specifically identify whether the song playing is classifiable as reggaeton or not. The official project page is available at Hackster.

In 2019 a SpaceX Falcon 9 rocket launched an Israeli spacecraft carrying a 30-million page archive of human civilization to the moon. Unfortunately, that spacecraft crashed. But thanks to this week's moon landing by the Odysseus, there's now a 30-million page "Lunar Library" on the moon — according to a Medium post by the Arch Mission Foundation.

"This historic moment secures humanity's cultural heritage and knowledge in an indestructible archive built to last for up to billions of years." Etched onto thin sheets of nickel, called NanoFiche, the Lunar Library is practically indestructible and can withstand the harsh conditions of space... Some of the notable content includes:


The Wikipedia. The entire English Wikipedia containing over 6 million articles on every branch of knowledge.
Project Gutenberg. Portions of Project Gutenberg's library of over 70,000 free eBooks containing some of our most treasured literature.
The Long Now Foundation's Rosetta Project archive of over 7,000 human languages and The Panlex datasets.
Selections from the Internet Archive's collections of books and important documents and data sets.
The SETI Institute's Earthling Project, featuring a musical compilation of 10,000 vocal submissions representing humanity united
The Arch Lunar Art Archive containing a collection of works from global contemporary and digital artists in 2022, recorded as NFTs.
David Copperfield's Magic Secrets — the secrets to all his greatest illusions — including how he will make the Moon disappear in the near future.
The Arch Mission Primer — which teaches a million concepts with images and words in 5 languages.
The Arch Mission Private Library — containing millions of pages as well as books, documents and articles on every subject, including a broad range of fiction and non-fiction, textbooks, periodicals, audio recordings, videos, historical documents, software sourcecode, data sets, and more.
The Arch Mission Vaults — private collections, including collections from our advisors and partners, and a collection of important texts and images from all the world's religions including the great religions and indigenous religions from around the world, collections of books, photos, and a collection of music by leading recording artists, and much more content that may be revealed in the future...


We also want to recognize our esteemed advisors, and our many content partners and collections including the Wikimedia Foundation, the Long Now Foundation, The SETI Institute Earthling Project, the Arch Lunar Art Archive project, Project Gutenberg, the Internet Archive, and the many donors who helped make the Lunar Library possible through their generous contributions. This accomplishment would not have happened without the collaborative support of so many...

We will continue to send backups of our important knowledge and cultural heritage — placing them on the surface of the Earth, in caves and deep underground bunkers and mines, and around the solar system as well. This is a mission that continues as long as humanity endures, and perhaps even long after we are gone, as a gift for whoever comes next.
Space.com has a nice rundown of the other new payloads that just landed on the moon. Some highlights:

• "Cloud computing startup Lonestar's Independence payload is a lunar data center test mission for data storage and transmission from the lunar surface."
• LRA is a small hemisphere of light-reflectors built to servce as a precision landmark to "allow spacecraft to ping it with lasers to help them determine their precise distance..."
• ROLSES is a radio spectrometer for measuring the electron density near the lunar surface, "and how it may affect radio observatories, as well as observing solar and planetary radio waves and other phenomena."
• "Artist Jeff Koons is sending 125 miniature stainless steel Moon Phase sculptures, each honoring significant human achievements across cultures and history, to be displayed on the moon in a cube. "

Internet service provider Cox Communications has been cleared of a $1 billion jury verdict in favor of several major record labels that had accused it of failing to curb user piracy. "The 4th U.S. Circuit Court of Appeals in Richmond, Virginia, ruled on Tuesday that the amount of damages was not justified and that a federal district court should hold a new trial to determine the appropriate amount," reports Reuters. From the report: A Virginia jury in 2019 found Cox, the largest unit of privately-owned Cox Enterprises, liable for its customers' violations of over 10,000 copyrights belonging to labels including Sony Music Entertainment, Warner Music Group, and Universal Music Group. The labels' attorney Matt Oppenheim said that the appeals court "affirmed the jury's verdict that Cox is a willful infringer," and that "the evidence of Cox's complete disregard for copyright law and copyright owners has not changed." "A second jury will get to hear that same compelling evidence, and we fully expect it will render a significant verdict," Oppenheim said.

More than 50 labels teamed up to sue Cox in 2018, in what was seen as a test of the obligations of internet service providers (ISPs) to thwart piracy. The labels accused Cox of failing to address thousands of infringement notices, cut off access for repeat infringers, or take reasonable measures to deter pirates. Atlanta-based Cox had told the 4th Circuit that upholding the verdict would force ISPs to boot households or businesses based on "isolated and potentially inaccurate allegations," or require intrusive oversight of customers' internet usage. Other ISPs, including Charter Communications, Frontier Communications and Astound Broadband, formerly RCN, have also been sued by the record labels.

Medical alarms don't have to be louder to be more effective. Scientific American: Beeping alarms in hospitals are a life-or-death matter -- but with so many going off all the time, medical professionals may experience alarm fatigue that impairs care. Researchers now report that changing an alarm's sound to incorporate properties of musical instruments can make it more helpful amid the din. Auditory alarms can sound up to 300 times a day per patient in U.S. hospitals, but only a small fraction require immediate action.

Data from the U.S. Food and Drug Administration suggest that alarm fatigue (including when clinicians turned off or forgot to restart alarms) and other alarm-related issues were linked to 566 deaths over five and a half years. After a typical day at the hospital, "I'd leave with beeping in my ears," says Vanderbilt University Medical Center anesthesiologist Joseph Schlesinger. He collaborated with Michael Schutz, a music cognition researcher at McMaster University in Ontario, to analyze how musical sounds could improve hospital alarms.

In 2015 Schutz and Schlesinger began examining musical qualities called timbres that might let softer sounds command attention from busy clinicians. They found that sounds with a "percussive" timbre, many of which contain short bursts of high-frequency energy -- such as wineglasses clinking -- stand out even at low volume. In contrast, loud, "flat" tones that lack high-frequency components, like a reversing truck's beep, get lost. The researchers have since conducted experiments in which participants evaluate different sounds and melodies for annoyance, detectability and recognizability. For a recent study detailed in Perioperative Care and Operating Room Management, the researchers played participants the same sequences of notes with varying timbres. They found the sounds that made these sequences least annoying, with no decrease in recall, were percussive and had complex, time-varied harmonic overtones (the many components within a single sound) like a xylophone's ping, rather than a few homogeneous ones like monotonous mechanical beeps.

Cox, the cable television and internet service provider, convinced a U.S. appeals court to throw out a $1 billion jury verdict in favor of several major record labels that had accused it of failing to curb user piracy, setting the stage for a new trial on the matter. From a report: The 4th U.S. Circuit Court of Appeals in Richmond, Virginia ruled on Tuesday that the amount of damages was not justified and that a federal district court should hold a new trial to determine the appropriate amount. A Virginia jury in 2019 found Cox, the largest unit of privately owned Cox Enterprises, liable for its customers' violations of over 10,000 copyrights belonging to labels including Sony Music Entertainment, Warner Music Group, and Universal Music Group. More than 50 labels teamed up to sue Cox in 2018, in what was seen as a test of the obligations of internet service providers (ISPs) to thwart piracy.

"Apple will reportedly have to pay around €500 million (about $539 million USD) in the EU," reports the Verge, "for stifling competition against Apple Music on the iPhone. Financial Times reported this morning that the fine comes after regulators in Brussels, Belgium investigated a Spotify complaint that Apple prevented apps from telling users about cheaper alternatives to Apple's music service.... The EU whittled its objections down to oppose Apple's refusal to let developers even link out to their own subscription sign-ups within their apps — a policy that Apple changed in 2022 following regulatory pressure in Japan.

$500 million may sound like a lot, but a much bigger fine of close to $40 billion (or 10 percent of Apple's annual global turnover) was on the table when the EU updated its objections last year. Apple was charged over a billion dollars in 2020, but French authorities dropped that to about $366 million after the company appealed.
The Verge cites an Apple spokesperson who said a year ago that the EU case "has no merit."

Reuters that the EU's fine "is expected to be announced early next month, the Financial Times said."

More from Politico The fine would be the EU's first ever against Apple and is expected to be announced early next month, according to the FT report. It is the result of a European Commission antitrust probe into whether Apple's "anti-steering" requirements breach the bloc's abuse of dominance rules, harming music consumers "who may end up paying more" for apps... The Commission will rule that Apple's actions are illegal and against EU competition rules, according to the report.
"The EU executive will ban Apple's practice of barring music services from letting users know of cheaper alternatives outside the App Store, according to the newspaper."

The great libraries of the ancient classical world are "legendary... said to have contained stacks of texts," writes ScienceAlert. But from Rome to Constantinople, Athens to Alexandria, only one collection survived to the present day.

And here in 2024, "we can now start reading its contents." A worldwide competition to decipher the charred texts of the Villa of Papyri — an ancient Roman mansion destroyed by the eruption of Mount Vesuvius — has revealed a timeless infatuation with the pleasures of music, the color purple, and, of course, the zingy taste of capers. The so-called Vesuvius challenge was launched a few years ago by computer scientist Brent Seales at the University of Kentucky with support from Silicon Valley investors. The ongoing 'master plan' is to build on Seales' previous work and read all 1,800 or so charred papyri from the ancient Roman library, starting with scrolls labeled 1 to 4.

In 2023, the annual gold prize was awarded to a team of three students, who recovered four passages containing 140 characters — the longest extractions yet. The winners are Youssef Nader, Luke Farritor, and Julian Schilliger. "After 275 years, the ancient puzzle of the Herculaneum Papyri has been solved," reads the Vesuvius Challenge Scroll Prize website. "But the quest to uncover the secrets of the scrolls is just beginning...." Only now, with the advent of X-ray tomography and machine learning, can their inky words be pulled from the darkness of carbon.
A few months ago students deciphered a single word — "purple," according to the article. But "That winning code was then made available for all competitors to build upon." Within three months, passages in Latin and Greek were blooming from the blackness, almost as if by magic. The team with the most readable submission at the end of 2023 included both previous finders of the word 'purple'. Their unfurling of scroll 1 is truly impressive and includes more than 11 columns of text. Experts are now rushing to translate what has been found. So far, about 5 percent of the scroll has been unrolled and read to date. It is not a duplicate of past work, scholars of the Vesuvius Challenge say, but a "never-before-seen text from antiquity."

One line reads: "In the case of food, we do not right away believe things that are scarce to be absolutely more pleasant than those which are abundant."
Thanks to davidone (Slashdot reader #12,252) for sharing the article.

According to Bloomberg (paywalled), Apple plans to release a generative AI tool for iOS app developers as early as this year. Insider reports: The tech giant is working on a tool that will use artificial intelligence to write code as part of its plans to expand the capabilities of Xcode, the company's main programming software. The revamped system will compete withÂMicrosoft's GitHub Copilot, which sources say operates similarly. Apple is also working on an AI tool that will generate code to test apps, which could provide potential time savings for a process that's known to be tedious. Currently, Apple is urging some engineers to test these new AI features to ensure they work before releasing them externally to developers. [...]

The tech giant, Bloomberg has learned, has plans to integrate AI features into its next software updates for its iPhone and iPad known internally as Crystal. Glow, another internal AI project, is slated to be added to MacOS. The company is also building features that will generate Apple Music playlists and slideshows, according to the outlet. An AI-powered search feature titled Spotlight, currently limited to answering questions around launching apps, is in the works as well, Bloomberg reported.

An anonymous reader quotes a report from Ars Technica: Nintendo's Satellaview, a Japan-only satellite add-on for the Super Famicom, is a rich target for preservationists because it was the home to some of the most ephemeral games ever released. That includes a host of content for Nintendo's own games, including F-Zero. That influential Super Nintendo (Super Famicom in Japan) racing title was the subject of eight weekly broadcasts sent to subscribing Japanese homes in 1996 and 1997, some with live "Soundlink" CD-quality music and voiceovers. When live game broadcasts were finished, the memory cartridges used to store game data would report themselves as empty, even though they technically were not. Keeping that same 1MB memory cartridge in the system when another broadcast started would overwrite that data, and there were no rebroadcasts.

As reported by Matthew Green at Press the Buttons (along with Did You Know Gaming's informative video), data from some untouched memory cartridges was found and used to re-create some of the content. Some courses, part of a multi-week "Grand Prix 2" event, have never been found, despite a $5,000 bounty offering and extensive effort. And yet, remarkably, the 10 courses in those later broadcasts were reverse-engineered, using a VHS recording, machine learning tools, and some manual pixel-by-pixel re-creation. The results are "north of 99.9% accurate," according to those who crafted it and exist now as a mod you can patch onto an existing F-Zero ROM. [...] Their work means that, 25 years later, a moment in gaming that was nearly lost to time and various corporate currents has been, if not entirely restored, brought as close as is humanly (and machine-ably) possible to what it once was.

An anonymous reader quotes a report from TechCrunch: On a brutal December day, 17% of Spotify employees found out they had been laid off in the company's third round of job cuts last year. Not long after, music fans around the world realized that the cult-favorite website Every Noise at Once (EveryNoise), an encyclopedic goldmine for music discovery, had stopped working. These two events were not disconnected. Spotify data alchemist Glenn McDonald, who created EveryNoise, was one of the 1,500 employees who was let go that day, but his layoff had wider-reaching implications; now that McDonald doesn't have access to internal Spotify data, he can no longer maintain EveryNoise, which became a pivotal resource for the most obsessive music fans to track new releases and learn more about the sounds they love.

"The project is to understand the communities of listening that exist in the world, figure out what they're called, what artists are in them and what their audiences are," McDonald told TechCrunch. "The goal is to use math where you can to find real things that exist in listening patterns. So I think about it as trying to help global music self-organize." If you work at a big tech company and get laid off, you probably won't expect the company's customers to write nine pages of complaints on a community forum, telling your former employer how badly they messed up by laying you off. Nor would you expect an outpouring of Reddit threads and tweets questioning how you could possibly get the axe. But that's how fans reacted when they heard McDonald's fate.

An anonymous reader quotes a report from MacRumors: The Apple Music, Apple TV, and Apple Devices apps that Apple has been testing for Windows machines have officially launched, ending a long preview period and bringing an end to the iTunes app on some computers. The Apple Music, Apple TV, and Apple Devices app are part of Apple's effort to split iTunes on PC into multiple platforms to mirror how these apps work on Macs. On Windows 10 and later, PC customers can download the three separate apps to manage devices and access Apple Music and Apple TV content. Microsoft first announced plans for Apple Music and Apple TV apps for the Microsoft Store back in October 2022, so the split from iTunes has been in the works for more than a year.

The Apple Music app gives Windows users a way to listen to and manage music from their iTunes library, including iTunes Store purchases, while the Apple TV app allows users to watch and manage movies and TV shows from iTunes. Both of the apps also give access to Apple's streaming services, Apple Music and Apple TV+. The Apple Devices app is designed to allow PC owners to update, back up, and restore and manage their iPhones and iPads, and sync content from their PCs. Using the standalone apps requires Windows 10 or later, and all three apps must be installed to transition away from iTunes. After the apps have been added to a PC, iTunes is used only to access podcasts and audiobooks. The iTunes library should not be deleted, because it is used by the Apple Music and Apple TV apps.

The Orange County Register reports: The new Pixar Place Hotel next door to Disneyland and Disney California Adventure is designed to look like you've walked onto the Pixar Animation Studios campus in Emeryville with concept drawings, character maquettes and final designs sprinkled throughout the hotel. "For those of you who are into the creative process, I think you'll be really happy. This hotel really celebrates that," Pixar Chief Creative Officer Pete Docter said during the opening ceremony for the hotel. "You get to see rough drawings, color studies and animation sketches as the animators were working. It really feels like you're walking into Pixar in a way when you step in here."

The multimillion-dollar transformation of the former Paradise Pier Hotel into the new Pixar Place Hotel debuted on Tuesday, January 30 after three years in the making at the Disneyland resort in Anaheim. The front lobby of the hotel is intended to feel like a gallery of curated artwork and custom creations inspired by Pixar's famed studio in Northern California. The rear lobby takes visitors through the animated filmmaking process from hand-drawn sketches to wire-frame character designs. Red, yellow and blue bursts of primary colors serve as bold accents at the front desk in contrast to the muted colors of modern hotel designs.
More details from the Los Angeles Times: The showcase piece of the lobby is a large mobile, situated above the Pixar lamp and ball, with abstracted, stained glass-like figures from "The Incredibles," "Wall-E," "Finding Nemo" and more. They are flanked by colored panels, which react to the music played in the area, an effect that is of course better seen in the evening.

"Pixar is a balance of sophistication and whimsy that really is core to their values," said Kirstin Makela, an art director at Walt Disney Imagineering, the company's secretive arm devoted to theme park experiences. "They're a studio that's been at the cutting edge of what they do. They take it very seriously that their characters are represented in that high esteem that they deserve because they are works of art. "So it really is about creating a space that feels like a living art gallery that allows for the work to be elevated and feel celebrated, and allows for the work to get that dynamic pop of color and energy," Makela continued...

[I]ncluded in the rooms is the hardbound "The Art of Pixar" book, and various depictions of the Pixar lamp and ball, from an actual lamp on the desk to traces of the ball and the lamp in the bedding, carpeting and decorative pillows...

In a sampling of room rates throughout the year, I found nothing lower than $405 per night for a standard room, and about $100 more for high-traffic holiday months.

Spotify has reached a new deal with star podcaster Joe Rogan that will allow his hit show to be distributed broadly. From a report: Rogan's fresh deal, estimated to be worth as much as $250 million over its multiyear term, involves an upfront minimum guarantee, plus a revenue sharing agreement based on ad sales. Under the new licensing agreement, Spotify will sell ads for and distribute "The Joe Rogan Experience" across several podcast platforms, including in a video format on YouTube, the company said Friday. Under his previous deal, the show was exclusive to Spotify. The new deal is emblematic of shifting economics in podcasting, which has matured in both audience reach and advertising spending since Rogan's last deal. Spotify is working to revise the terms of its deals with top talent so that shows are distributed on several platforms to maximize their audience and ad sales, rather than requiring exclusivity.

YouTube has announced it has surpassed 100 million YouTube Music and YouTube Premium subscribers globally. Variety reports: The 100 million figure includes uses who are on free trials, according to YouTube. The company didn't break down how many are on YouTube Music versus YouTube Premium, the subscription service for ad-free viewing, background listening, offline video downloads and full access to YouTube Music. In November 2022, the company said YouTube Music and YouTube Premium topped 80 million paying subscribers combined.

The announcement comes after Alphabet, in reporting fourth-quarter 2023 earnings, boasted that YouTube and Google subscription services generated more than $15 billion in revenue last year. That includes YouTube Premium and YouTube Music, as well as YouTube TV and Google One cloud storage.

It's the 50th anniversary of Devo, the geek-friendly, dystopia-themed band that combined synthesizers with showmanship, first founded in 1973.

As a new documentary about the group celebrates its Sundance world premiere, the Los Angeles Times explores how the band made innovative use of the technology of its time: With their yellow radiation suits, red "energy dome" hats and manic energy, part playful and part angry, the band Devo combined the futuristic glamour of new wave with atomic-age anxieties and post-'60s disillusionment.... Uniquely, the band developed a fully formed, intricate internal philosophy and mythology built around the idea that humans were "de-evolving" by becoming dumber and less sophisticated. The mascot of the band, known as "Booji Boy," was an infantile urchin in a rubber mask...

Was there an idea to document the band right from the very start? It's incredible that there's footage of the very first show in 1973.

GERALD CASALE: We were that delusional, yes. And we were trying to document ourselves when nobody was interested in doing that. And when it was quite expensive and clumsy to do it. You're dealing with Sony U-matic reel-to-reel recorders and big heavy cameras and a scarcity of equipment and very little interest. I mean, my God, if a Devo of now existed like we did, then clearly, there'd be a million cellphone videos.

MARK MOTHERSBAUGH: [...] Bob was the first of us to direct a video, back when he was in high school. Bob and me, our dad, starting when we were like babies, like 1 year old, he'd bring out an 8-millimeter camera that didn't have sound, and so he shot hundreds and hundreds of these films through the years, just family stuff. So we always kind of liked that. And Jerry was doing films at Kent State with Chuck Statler before Chuck said, "Hey, let's do a film with a couple of the songs in it." So we were always audio-visual. We were always thinking in both worlds...

[DOCUMENTARY DIRECTOR] CHRIS SMITH: One of my favorite details in looking through the old footage is, there's an early show that was recorded in black-and-white, and they have such limited materials to work with, yet they do this thing where the light goes on and off on both sides of the stage. And to me it was so emblematic of where they were going because they were making something that you hadn't seen before that was super creative and visually distinctive and interesting out of something we all had to work with... You could see in that footage, the inventiveness that wasn't a result of means — it was something that was just created out of what they had to work with at that time.

MARK MOTHERSBAUGH: [...] Sonically, a lot of what we did was just related to the fact that Bob Mothersbaugh bought a four-track TEAC. So we had this machine that could record four little skinny channels on a quarter-inch tape. It was an amateur home-tape machine, but it made us think about our parts, because we thought, well, OK, you're only going to get to do the bass on one track, and the guitar on one track and the drums on one track and the synth. You're not going to do all these overdubs. We had to think about it, what was an essential part. So we'd work on the song till you could play it just in one pass. Everything essential. I think it really made the early stuff sound really strong because of that.
You really get a sense of that on their 1978 song "Mongoloid." But the 2023 documentary's director doesn't see his film as an ending bookmark for the band. "They're still touring. They're all still actively creatively pursuing many different things, as I hope that you would expect after seeing the film."

And speaking specifically about the documentary. Mark Mothersbaugh says Booji Boy "describes it as a halfway point to the year of 2073, where we'll celebrate the 100-year anniversary." Booji Boy also says the next 50 years will be more about action. "And it'll be about positive mutation. Mutate, don't stagnate."

"After a year in which both actors and writers hit the picket lines, another Hollywood strike may be on the horizon," reports CNN: The American Federation of Musicians (AFM), a union representing musicians across the entertainment industry, will begin negotiations Monday on a new contract with the Alliance of Motion Picture and Television Producers (AMPTP). The union said it is seeking a deal to better reflect the current state of streaming media. The AFM is also seeking AI protection, increased wages, health care improvements, improved working conditions and residual payments for streaming content. According to the AFM, musicians who record on soundtracks make 75% less on streaming content due to less residual income. "The entertainment industry has fundamentally shifted," the union said in a news release. But musicians "are not being compensated accordingly for streaming media." AFM's president and chief negotiator Tino Gagliardi told CNN the union "is going to be prepared to do whatever it needs to get what we have to have, in order to make the lives of musicians better..."

The AFM says it has roughly 70,000 members in the United States and Canada. Members include instrumental musicians working in orchestras, bands, clubs and theater who create music for film, television, commercials and other mediums.